thoughts and images of clay, pottery and wood firing as part of life at Bog Pond Pottery, here in the western mountains of Maine... to see more pieces click "older posts" at bottom and continue...
Saturday, March 26, 2016
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Tuesday, March 22, 2016
Monday, March 21, 2016
Sunday, March 20, 2016
Saturday, March 19, 2016
Monday, March 7, 2016
Oval Shino Bottle
Oval Bottle/Shino Glaze
15in.H x 20in.W x10in.D
$2,500
a few years back I decided once again to conduct an experiment...
challenging myself to make some work which I thought, that most would agree,
contradicted what I had been doing recently...
it was a way of "checking" myself...
the lava /geological work I am doing is the culmination of 40 years of yearning
to see a piece from my hands of such quality and aesthetic clarity...
I have gotten there, am absolutely thrilled, but seem to be, maybe the only one who believes the validity of that...
many think I have lost my mind
and believe there is no "craftsmanship" in those pieces... I beg to differ...
so I made many and I mean many much more traditional forms
glazed them with a thick, multiple fired shino and searched for a beauty there
that I felt might stand as a counter to the lava pieces...
to "see" if I was correct in my thoughts...
what I found is that you can't escape yourself... the lava pieces were better than I imagined
and the Shino pieces served as a wonderful counter to them when shown together...
they both looked great... especially standing next to each other...
yet .....I can still remember a gallery owner rubbing a large oval shino bowl, definitely it was the best of the bunch, unlike anything I had ever made and asking me...
" Rob, do you have any new work?"...
this large bottle is a fine example of the surfaces possible from multiple firings and many coats of shino glaze in a wood kiln...
it has all the qualities I'm searching for in these shino experiments...
thick globular glaze, intermixed with surface texture, obscuring both and neither...
a hint of carbon in the middle
ash deposits on the shoulder, both melted and not quite...
orange cracks in the glaze coats from layers underneath
and the quiet ancient feel I always love in the good pots...
I hope you might like it...
15in.H x 20in.W x10in.D
$2,500
a few years back I decided once again to conduct an experiment...
challenging myself to make some work which I thought, that most would agree,
contradicted what I had been doing recently...
it was a way of "checking" myself...
the lava /geological work I am doing is the culmination of 40 years of yearning
to see a piece from my hands of such quality and aesthetic clarity...
I have gotten there, am absolutely thrilled, but seem to be, maybe the only one who believes the validity of that...
many think I have lost my mind
and believe there is no "craftsmanship" in those pieces... I beg to differ...
so I made many and I mean many much more traditional forms
glazed them with a thick, multiple fired shino and searched for a beauty there
that I felt might stand as a counter to the lava pieces...
to "see" if I was correct in my thoughts...
what I found is that you can't escape yourself... the lava pieces were better than I imagined
and the Shino pieces served as a wonderful counter to them when shown together...
they both looked great... especially standing next to each other...
yet .....I can still remember a gallery owner rubbing a large oval shino bowl, definitely it was the best of the bunch, unlike anything I had ever made and asking me...
" Rob, do you have any new work?"...
this large bottle is a fine example of the surfaces possible from multiple firings and many coats of shino glaze in a wood kiln...
it has all the qualities I'm searching for in these shino experiments...
thick globular glaze, intermixed with surface texture, obscuring both and neither...
a hint of carbon in the middle
ash deposits on the shoulder, both melted and not quite...
orange cracks in the glaze coats from layers underneath
and the quiet ancient feel I always love in the good pots...
I hope you might like it...
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