thoughts and images of clay, pottery and wood firing as part of life at Bog Pond Pottery, here in the western mountains of Maine... to see more pieces click "older posts" at bottom and continue...
Wednesday, July 27, 2016
Details of Geyser Vent
Details of the Geyser Vent below... click on image to enlarge...
my goal here is for a surface evocative of the growth and accumulation of minerals and other metals as they might occur on the surface of a geyser vent or thermal vent in the ocean...
I don't want them to seem controlled, but rather to appear naturalistic and lacking the clues and methodology of their origin... lacking in the traditional notion of craftsmanship and all it's permutations and presumptions... I'm hoping for an organically grown appearance from layering and accumulation over time... randomness, naturalness and most importantly energy... lots of it...
Tuesday, July 26, 2016
Sunday, July 24, 2016
Thoughts on plates
different thought on plates...
I love the "river" effect of pouring glaze over the open surface
there is movement, randomness and an easy form of texture,
here with just a hint of decoration... restrained decoration...
we'll see soon how this works
this majolica glaze is pesky, but they're in the kiln now!
I love the "river" effect of pouring glaze over the open surface
there is movement, randomness and an easy form of texture,
here with just a hint of decoration... restrained decoration...
we'll see soon how this works
this majolica glaze is pesky, but they're in the kiln now!
Wednesday, July 20, 2016
Rock Caddy w/ Lichen...
I'm thinking these are really beginning to have the surface quality of the thermal vents
which inspired all this raw volcanic work of mine
or perhaps a geyser's mineral encrustation surrounding it's vent...
they're awfully close if not there already...
celebration is in order!
RockCaddy w/ Encrustation
8.5in.H x 7in.W
$250
Tuesday, July 19, 2016
Plates
from the first load in a larger kiln...
this test has left me with more questions than answers...
I wanted the pouring of the glaze to be visible beneath the lines, forming a field of linear variation in density over glaze variation of different density... think that's here... but still wondering about this?????? and of course there are those pesky smudges...
more tests...
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